NEW Product Information from...

Introducing...

16 Channel AD/DA Converter,

NOW with Variable Trim Pots

Lynx Studio Technology expands its line of Aurora 192 kHz AD/DA converters with the NEW Aurora 16-VT Variable Trim model. Aurora 16-VT allows users to manually set the analog input and output levels within a range of +8.5 dBu to +24 dBu. 32 miniature trim pots are mounted on the primary circuit board to allow the adjustments.

PCI Express AES/EBU Interface

Multiple connectivity options are available on the NEW AES16e-50 PCI Express Card. In addition to offering 16 channels of 192 kHz AES/EBU digital I/O via its two d-sub ports, the AES16e-50 has 32 digital I/O channels using AES50 technology. AES50 provides a bi-directional, point-to-point connection for multi-channel audio and system control over a single CAT5e or CAT6 cable. The benefits include reliable high-bandwidth data transfers, low latency, and low clock jitter. Complete networks can be built using routers with multiple AES50 ports.

The AES50 port on the AES16e-50 provides up to 32 channels at 48 kHz, 24 channels at 96 kHz and 12 channels at 192 kHz. The single network cable also transmits sample clock and control data, making the AES16e-50 ideal for permanent installations, broadcast and live sound applications. Sixteen channels of sample rate conversion is also included on the AES16e-50.

In development...

The LT-MADI is an L-Slot interface for the Aurora 8 and Aurora 16 A/D D/A converters that provides digital input and output in MADI (Multichannel Audio Digital Interface) format. Up to four Aurora converters (using four LT-MADI cards) can be combined for up to 64 channels. MADI is a proven technology for distributing multichannel audio in large venues, live recording and multiroom studios with the convenience of either optical fiber or coaxial cabling.

NEW Product Information from...

Introducing...

Diamond Cut are proud to announce DC LIVE/Forensics Audio Laboratory 7.5. This powerful Forensics software product has all of the power previous versions of DC LIVE/Forensics but with some major new features! You'll still have the best odds on the planet of pulling a voice out of the recording muck.

DC LIVE/Forensics was released in 2000 and and filled an important gap that was missing from the Audio Forensics world at that time. Previously, all Forensics solutions were based on expensive hardware that was difficult to use, hard to repair and even harder to upgrade. For the first time, Forensics customers were able to analyze, enhance and improve difficult recordings using only a PC with a sound card. Today, though you can still purchase these expensive solutions, there is little that cannot be matched by the power of DC LIVE/Forensics. There is also a very popular 3 day training class associated with this product that allows members of the law enforcement community, private citizens and other Forensics professionals access to thorough information on not only the product itself but full details relating to preserving, securing, and testifying to Audio Forensics methods.